符合的藏品

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名繪集珍　冊　無款荷亭銷夏

with trees, it appears to be in the style of the Li T'ang (ca. 1049-after 1130) schoo1. However.....more

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and the Influence of Li T'ang."Ars Orientalis, vol.10（1975）,p.83. 註3：有關「都省書畫之印」「司印半印」，請參閱傅申，〈祕書監書畫收藏概述.....more

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emulating though not surpassing that of Li T'ang (ca. 1049-after 1130). This work, the sixth from.....more

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-miao (plain outline) manner is much like that of Li Kung-lin (1041-1106). Ting Yün-p'eng's.....more

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and wide. The brushwork falls into the tradition of Li T'ang. 本幅 23.9x25.3公分對幅 23.9x25.3公分全幅 43.8x71.6公.....more

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to Li Sheng. The trees, rocks, and buildings are all similar to those in the Peking Palace Museum'.....more

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by his tzu (style name) Ch'ien-li and by his hao (sobriquet) Wu-cho. He was famous for painting Buddhist.....more

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and trees is very similar to that found in Li T'ang's (1049-1130) handscroll "Small Scene of River.....more

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by the West. The composition here takes from the theme of Li Po’s (701-763) “Preface to Night Banquet.....more

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聲。 Li T'ang, a native of Ho-yang, is also said to have lived from about 1070 to after 1150. He.....more

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聲。 Li T'ang, a native of Ho-yang, is also said to have lived from about 1070 to after 1150. He.....more

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