符合的藏品

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名繪集珍　冊　宋黃居寀竹石錦...

as the painter. Huang chü-ts'ai(style name Po-luan) was a native of Cheng-tu, Szechwan, who was the son.....more

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as the reincarnation of the famed Chao Po-chü. Visible through the bright window, two scholars chat.....more

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chose the subject from Song of the P’i-p’a by Po Chü-i, completing it in 1628 at the age of 51.....more

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家具為典型宋代樣式，有學者懷疑此圖近似明代仇英之畫風，然尚無定論。 Chao Po-su (style name Hsi-yüan) excelled at painting.....more

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and bathing. Ting Yün-p’eng praised Cheng as an incarnation of Chao Po-chü, who was a renowned.....more

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, style name Po-hu, was a native of Soochow Kiangsu. He studied painting under Chou Ch’en but eventually.....more

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by the West. The composition here takes from the theme of Li Po’s (701-763) “Preface to Night Banquet.....more

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Chao Po-su’s “Ode on the Latter Cliff”. However, the brushwork here is not as refined, so perhaps.....more

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裝飾意味，及古樸風韻。 Huang Chü-ts'ai, whose style name was Po-luan, was born in 933. He was a native.....more

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裝飾意味，及古樸風韻。 Huang Chü-ts'ai, whose style name was Po-luan, was born in 933. He was a native.....more

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