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符合的藏品

明文徵明倣趙伯驌後赤壁圖 卷

明文徵明倣趙伯驌後赤壁圖 卷

in 1548. At around that time, a collector in Soochow had Chao Po-su's “Latter Ode on the Red Cliff.....more

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宋趙伯驌風檐展卷 冊頁

宋趙伯驌風檐展卷 冊頁

家具為典型宋代樣式,有學者懷疑此圖近似明代仇英之畫風,然尚無定論。 Chao Po-su (style name Hsi-yüan) excelled at painting.....more

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披薰集古 冊 明鄭重畫閒窗對語

披薰集古 冊 明鄭重畫閒窗對語

as the reincarnation of the famed Chao Po-chü. Visible through the bright window, two scholars chat.....more

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披薰集古 冊 明張宏畫秋江夜渡

披薰集古 冊 明張宏畫秋江夜渡

chose the subject from Song of the P’i-p’a by Po Chü-i, completing it in 1628 at the age of 51.....more

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名繪集珍 冊  宋黃居寀竹石錦鳩

名繪集珍 冊  宋黃居寀竹石錦...

as the painter. Huang chü-ts'ai(style name Po-luan) was a native of Cheng-tu, Szechwan, who was the son.....more

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明鄭重倣王蒙葛洪移居圖 軸

明鄭重倣王蒙葛洪移居圖 軸

and bathing. Ting Yün-p’eng praised Cheng as an incarnation of Chao Po-chü, who was a renowned.....more

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明唐寅倣唐人仕女 軸

明唐寅倣唐人仕女 軸

, style name Po-hu, was a native of Soochow Kiangsu. He studied painting under Chou Ch’en but eventually.....more

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明呂紀秋渚水禽 軸

明呂紀秋渚水禽 軸

(style name T’ing-chen, sobriquet Yao-yü) was a native of Ning-po, Chekiang province. During.....more

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清冷枚春夜宴桃李園圖 軸

清冷枚春夜宴桃李園圖 軸

by the West. The composition here takes from the theme of Li Po’s (701-763) “Preface to Night Banquet.....more

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明文徵明赤壁圖 卷

明文徵明赤壁圖 卷

Chao Po-su’s “Ode on the Latter Cliff”. However, the brushwork here is not as refined, so perhaps.....more

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宋黃居寀山鷓棘雀圖 軸

裝飾意味,及古樸風韻。 Huang Chü-ts'ai, whose style name was Po-luan, was born in 933. He was a native.....more

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宋黃居寀山鷓棘雀圖 軸

裝飾意味,及古樸風韻。 Huang Chü-ts'ai, whose style name was Po-luan, was born in 933. He was a native.....more

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