明文徵明千巖競秀 軸
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- 資料識別：
- 故畫000507N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 文徵明（Wen Zhengming）
- 主題與關鍵字：
- 山徑 樵夫 松 橋 寺廟 柏 瀑布 溪澗、湍泉 高士（士人、隱士） 侍從（侍女、童僕） 房舍
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明世宗嘉靖二十九年（1550）
- 格式：
- 本幅 132.6x34公分、全幅 62公分
- 關聯：
- 石渠寶笈續編（寧壽宮），第五冊，頁2811&*故宮書畫錄（卷五），第三冊，頁379&*故宮書畫圖錄，第七冊，頁101-102&*1.江兆申，〈文徵明千巖競秀圖 軸〉，收入國立故宮博物院編，《吳派畫九十年展》（臺北：國立故宮博物院，1975年初版，1976年再版，1981年三版），頁315 - 316。 &*文徵明（西元一四七０－一五五九年），江蘇長洲（今江蘇蘇州）人。初名壁，字徵明，後以字行。亦字徵仲，號停雲生、衡山居士。詩文書畫並佳，畫師沈周，為明四大家之一。 本幅成於庚戍年（一五五０），為文徵明八十一歲之作。畫重巒飛瀑，二人樹下對坐，一童琴旁侍。設色溫雅，筆意秀婉。此幀紙狹而長，構景重疊而繁複。徵明晚年好作此類畫作，晚期吳派亦多受此影響。&*Wen Cheng-ming was a native of Soochow who excelled at poetry, prose, calligraphy, and painting. For the latter, he had studied under Shen Chou. Wen later became known as one of the Four Great Masters of the Ming. This painting was done by Wen Cheng-ming in 1550 at the age of 80. Depicted here are serried slopes and cascades. Two figures are shown sitting below a tree with a servant boy to the side holding a lute. The coloring is subtle and the brushwork graceful. This tall and narrow scroll has a composition that is layered up to the top and is complex. In his later years, Wen Cheng-ming often composed such works, which had a major influence on late Wu School painting. &*文徵明（西元一四七○－一五五九年），江蘇蘇州人。名壁，以字行。幼年學詩文書法于吳寬、李應禎，畫學沈周。作畫兼擅青綠、淺絳、粗筆山水，又善寫花鳥竹果。吳郡才藝之士皆傳其學，為明季蘇州畫壇領袖。 庚戊（一五五○年）三月十日，作千巖競秀圖成。跋云：「比嘗冬夜不寐，戲寫千巖競秀圖，僅成一樹。自此屢作屢輟，自戊申抵今庚戌始成，蓋三易歲朔矣」。按此圖傳世尚有別本。是年，文徵明八十一歲。 &*Wen Cheng-ming, a native of Soochow, was the foremost artist of that cultured city in the Ming. He studied the literary and calligraphic arts with Wu K’uan (1435-1507) and Li Ying-chen (1431-1493) and studied painting with Shen Chou (1427-1509). He was noted for his paintings of landscapes, flowers, birds bamboo, and fruits. Wen’s artistic legacy greatly influenced later artists in the Soochow region. This hanging scroll was completed on the 10th day of the third lunar month of 1550. Wen Cheng-ming's inscription says in part, “One winter's night when I could not sleep, I amused myself by beginning to paint A Thousand Peaks V ying for Splendor, but I hardly finished a single tree. Since that night I have worked on it off and on, and from its beginning in 1548 to its completion now the seasons have made three complete revolutions !” A second version of this composition also survives. In 1550 Wen Cheng-ming was eighty years old. &*文徵明（1470－1559），江蘇長洲（今江蘇蘇州）人。初名壁，字徵明，後以字行。亦字徵仲，號停雲生、衡山居士。詩文、書畫並佳，畫師沈周，為明四大家之一。 本幅成於庚戌年（1550），為文徵明八十一歲之作。畫重巒飛瀑，二人樹下對坐，一琴童旁侍。此幀紙狹而長，構景重疊而繁複，設色溫雅，筆意秀婉。徵明晚年好作此類繁景細筆之作，對吳派晚期畫家影響甚鉅。 (20110913)&*Wen Zhengming (original name Bi; style name Zhengming [by which he later went] and also Zhengzhong; sobriquets Tingyun sheng and Hengshan jushi) was a native of Changzhou in Jiangsu (modern Suzhou in Jiangsu). Excelling at poetry and prose, calligraphy, and painting, he studied painting from Shen Zhou and became one of the Four Ming Masters. This painting was completed in 1550 by Wen Zhengming at the Chinese age of 81. Depicted here are serried slopes and cascades as two figures are shown sitting below a tree with an attendant to the side holding a lute. This tall and narrow scroll has a composition layered to the top and complex. The coloring is subtle and the brushwork graceful. In his later years, Wen Zhengming often composed works like this, which had a major influence on late Wu School painters. (20110913)
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- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
